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Christopher Pratt : The Places I Go

By: (Author) Christopher Pratt , (Author) Larry Dohey , (Edited by) Mireille Eagan

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Ksh 5,600.00

Format: Hardback or Cased Book

ISBN-10: 086492884X

ISBN-13: 9780864928849

Publisher: Goose Lane Editions

Imprint: Goose Lane Editions

Country of Manufacture: CA

Country of Publication: GB

Publication Date: Jun 2nd, 2015

Print length: 104 Pages

Weight: 966 grams

Dimensions (height x width x thickness): 25.40 x 30.50 x 1.50 cms

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"When you revisit a place that matters to you for the first time in a long time it is a rich, spiritual experience, but if you then revisit such a place too frequently it loses some of its power. The power lies in the absences." — Christopher Pratt Widely considered to be one of Canada's most prominent and celebrated painters, Christopher Pratt stands with other great artists — Alex Colville, Lawren P. Harris, Jean Paul Lemieux, and Lionel LeMoine Fitzgerald — who influenced him and the way he represents the land. But Pratt's greatest influence is perhaps the geography of his home province of Newfoundland. The Places I Go focuses on Pratt's paintings of the last decade, each revealing his observations of a place changing even as it endures. Beginning in 2005, Pratt started to travel by car to "everywhere I've ever been," recording his travels in his "car books," in his memory, and, ultimately, in his paintings. The paintings that resulted from this journey are vintage Pratt. They are also acts of remembering, of recording, of becoming the observer of transformation. Standing on "the littoral," looking toward the horizon, Pratt casts his eye on the perpetual presence of the ocean. Yet, his images — houses, spillways, bridges, and boats — also pay homage to the right angles of humanity. Buried in snow, at rest in a dock, they celebrate the built form. This exquisite book, featuring essays by exhibition curator Mireille Eagan, archivist Larry Dohey, and Pratt himself, examines Pratt's interest in and preoccupation with transformation, the act of remembering, and his abstractions of the ineffable.

"When you revisit a place that matters to you for the first time in a long time it is a rich, spiritual experience, but if you then revisit such a place too frequently it loses some of its power. The power lies in the absences." — Christopher Pratt

Widely considered to be one of Canada''s most prominent and celebrated painters, Christopher Pratt stands with other great artists — Alex Colville, Lawren P. Harris, Jean Paul Lemieux, and Lionel LeMoine Fitzgerald — who influenced him and the way he represents the land. But Pratt''s greatest influence is perhaps the geography of his home province of Newfoundland.

The Places I Go focuses on Pratt''s paintings of the last decade, each revealing his observations of a place changing even as it endures. Beginning in 2005, Pratt started to travel by car to "everywhere I''ve ever been," recording his travels in his "car books," in his memory, and, ultimately, in his paintings.

The paintings that resulted from this journey are vintage Pratt. They are also acts of remembering, of recording, of becoming the observer of transformation. Standing on "the littoral," looking toward the horizon, Pratt casts his eye on the perpetual presence of the ocean. Yet, his images — houses, spillways, bridges, and boats — also pay homage to the right angles of humanity. Buried in snow, at rest in a dock, they celebrate the built form.

This exquisite book, featuring essays by exhibition curator Mireille Eagan, archivist Larry Dohey, and Pratt himself, examines Pratt''s interest in and preoccupation with transformation, the act of remembering, and his abstractions of the ineffable.


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Mind, Body, & Spirit