Cinema and Radio in Britain and America, 1920–60
Book Details
Format
Paperback / Softback
Book Series
Studies in Popular Culture
ISBN-10
1784991104
ISBN-13
9781784991104
Publisher
Manchester University Press
Imprint
Manchester University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 15th, 2016
Print length
336 Pages
Weight
500 grams
Dimensions
23.60 x 15.60 x 1.90 cms
Product Classification:
Films, cinemaRadioSocial & cultural history
Ksh 5,400.00
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The book charts the evolving relationship between cinema and radio during the heyday of the two media and compares and contrasts their development in Britain and America -- .
Cinema and radio in Britain and America, 192060 charts the evolving relationship between the two principal mass media of the period. It explores, for the first time in print, the creative symbiosis that developed between the two, including regular film versions of popular radio series as well as radio versions of hit films.
This fascinating volume examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel.
Students, scholars and lay enthusiasts of cinema history, cultural history and media studies will find this an accessible yet scholarly read.
This fascinating volume examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel.
Students, scholars and lay enthusiasts of cinema history, cultural history and media studies will find this an accessible yet scholarly read.
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