In 'Cinema, If You Please', Murray Pomerance explores our ways of watching film in light of socially organized forms of pleasure that date back to the seventeenth and eighteenth centuries.
Explores our ways of watching film in light of socially organized forms of pleasure that date back to the seventeenth and eighteenth centuries. Case studies include: Vertigo; The Passenger; A Matter of Life and Death; Clouds of Sils Maria; Personal Shopper; Call Me By Your Name; and Blow-Up. Intensive concentration on screen colour and effects.
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