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Cinema in Turkey
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Cinema in Turkey : A New Critical History

Book Details

Format Hardback or Cased Book
ISBN-10 0195370058
ISBN-13 9780195370058
Publisher Oxford University Press Inc
Imprint Oxford University Press Inc
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 16th, 2010
Print length 336 Pages
Weight 644 grams
Dimensions 23.40 x 15.60 x 1.90 cms
Product Classification: Film theory & criticism
Ksh 13,950.00
Manufactured on Demand 0 in stock

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With over six thousand films, Turkey has produced more films than any other country in the Middle East or the Balkans. Despite its prolific and popular nature, this national film industry has often been denigrated as imitative, simplistic, and underdeveloped. Taking up precisely these critiques, Cinema in Turkey provides a critical history of feature cinema in Turkey, considering how this cinema developed modes of communication reflective of both existing traditions and region-specific responses to modernization and nation-building.
With over six thousand films, Turkey has produced more films than any other country in the Middle East or the Balkans. Despite its prolific and popular nature, this national film industry has often been denigrated as imitative, simplistic, and underdeveloped. Taking up precisely these critiques, Cinema in Turkey provides a critical history of feature cinema in Turkey, considering how this cinema developed modes of communication reflective of both existing traditions and region-specific responses to modernization and nation-building.Focusing on both popular films and art cinema, this study deals with the history of cinema in Turkey, including not only its high point during the golden age of Yesilçam (as Turkey''s popular film industry of the 1960s and 1970s is known), but also its early years and its current revival, the New Cinema of Turkey. This book not only provides the first comprehensive history of Turkish cinema in English, but also attempts to introduce a contemporary film-theoretical perspective to the examination of Turkish cinema, viewing it in a broader framework that goes beyond the canonical concerns of existing film histories and their art and auteur cinema related perspectives.

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