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Constitutional Innovation and Same-Sex Desire in D'Annunzio's Fiume, 1919–1920
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Constitutional Innovation and Same-Sex Desire in D'Annunzio's Fiume, 1919–1920

Book Details

Format Hardback or Cased Book
ISBN-10 1683934350
ISBN-13 9781683934356
Publisher Fairleigh Dickinson University Press
Imprint Fairleigh Dickinson University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 15th, 2024
Print length 494 Pages
Weight 916 grams
Dimensions 22.90 x 15.20 x 3.50 cms
Ksh 22,200.00
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This book tells the story of decadent poet Gabriele D’Annunzio’s occupation of Fiume in 1919–1920. It provides the most comprehensive and detailed analysis to date of D’Annunzio’s visionary Constitution for Fiume, arguing that the sublimation of same-sex desire was a key driver of political and legal innovation during the occupation.

Drawing on novel archival evidence that sheds light on Anglo-Italian diplomatic relations and the French-Italian contest for power in the Adriatic, this book recounts the story of decadent poet Gabriele D’Annunzio’s occupation of Fiume. Determining the fate of this Italian enclave in coastal Croatia had proved impossible at the Paris Peace Conference. In September 1919, D’Annunzio and his ‘legionnaires’ installed themselves in Fiume in a bid to embarrass Italy into declaring its annexation. In the months that followed, the poet did his best to fashion Fiume into his ideal political community, culminating in the proclamation of a Constitution known as the Carnaro Charter. The Charter was as visionary as it was short-lived: having reached an agreement with Yugoslavia on the status of Fiume, Italy put an end to the poet’s socio-political experiment in December 1920. In addition to offering the most comprehensive and detailed analysis to date of the CarnaroCharter, the book shows what has eluded all historians of D’Annunzio’s Fiume: that the sublimation and discursive circulation of same-sex desire was integral to shaping and sustaining the political and legal order of the occupation, and that D’Annunzio’s love-lore in Fiume was continuous with broader homoerotic preoccupations in his oeuvre.


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