Studies the significant developments in Japanese genre filmmaking since the turn of the millennium. This book includes detail the ways in which individual films have both drawn and departed from those films that have comprised the key works and trends in these generic categories. It features developments in filmmaking.
Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country''s cinematic tradition. Studying these genres through a close analysis of their most representative films, this innovative study examines the way individual films have either adapted to or drawn away from their own genre conventions, or, in the case of ''magic realist'' films, have introduced significant new developments which have little real precedence in Japanese filmmaking. With close textual analysis, this study looks at the prevalence of repetition and variation in these contemporary Japanese genres, offering for the first time in English an academic appreciation and overview of popular Japanese cinema. Looking at the work of directors as varied as Kitano ''Beat'' Takeshi and Kurosawa Kiyoshi, and films as iconic as Hana-Bi and The Bird People in China, this book provides an invaluable resource for film students and scholars alike.
About the series: Traditions in World Cinema introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition.
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