Contemporary Musical Film
Book Details
Format
Paperback / Softback
ISBN-10
1474413129
ISBN-13
9781474413121
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 31st, 2017
Print length
248 Pages
Weight
436 grams
Dimensions
24.10 x 16.20 x 1.80 cms
Product Classification:
Film theory & criticismFilm: styles & genresMusicals
Ksh 18,000.00
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This edited collection looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino s Kill Bill (2003/04).
This edited collection looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino’s Kill Bill (2003/04).
Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino''s Kill Bill (2003/04).
Looking at the varying aesthetic function of soundtrack and lyric in films like Disney''s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the ''post-millennial rock musical'', this wide-ranging collection breaks new ground in its study of this multifaceted genre.
Looking at the varying aesthetic function of soundtrack and lyric in films like Disney''s wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the ''post-millennial rock musical'', this wide-ranging collection breaks new ground in its study of this multifaceted genre.
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