Contradictory Lives : Baul Women in India and Bangladesh
Book Details
Format
Hardback or Cased Book
ISBN-10
0199773548
ISBN-13
9780199773541
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 28th, 2011
Print length
232 Pages
Weight
485 grams
Dimensions
16.30 x 23.60 x 1.80 cms
Product Classification:
World musicHinduismIslamGender studies: women
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In this multi-sited ethnographic study, Knight explores the everyday lives of women of the Baul tradition of musical mystics in India and Bangladesh. She demonstrates that Baul women construct a meaningful life as they navigate between conflicting expectations of Bauls to be carefree and of women to be modest.
In literature and popular imagination, Bauls of India and Bangladesh are characterized as musical mystics: orange-clad nomads of both Hindu and Muslim backgrounds. They wander the countryside and entertain with their passionate singing and unusual behavior; they are especially well-known for their evocative songs, which challenge the caste system and sectarianism prevalent in South Asia. Although Bauls claim to value women over men, little is known about the views and experiences of Baul women. Based on ethnographic research in both the predominantly Hindu context of West Bengal (India) and the Muslim country of Bangladesh, this book explores the everyday lives of Baul women. Knight examines the contradictory expectations regarding Baul women-on the one hand the ideal of a group unencumbered by societal restraints and concerns, and on the other the real constrains of feminine respectability that seemingly curtail women''s mobility and public performances. Knight demonstrates that Baul women respond to these conflicting expectations in various ways, sometimes adopting and other times subverting local gendered norms to craft a meaningful life. More so than their male counterparts, Baul women feel encumbered by norms. Rather than seeing Baul women''s normative behavior as indicative of their conformity to gendered roles (and, therefore, failure as Bauls), Knight argues that these women creatively draw on societal expectations to transcend their social limits and create new paths.
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