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Cornucopia for a Polymath: Studies in Archaeology, Architecture and Art History for John Burnett Mitchell
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Cornucopia for a Polymath: Studies in Archaeology, Architecture and Art History for John Burnett Mitchell

Book Details

Format Paperback / Softback
ISBN-10 1805830341
ISBN-13 9781805830344
Publisher Archaeopress
Imprint Archaeopress Archaeology
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 11th, 2025
Print length 412 Pages
Weight 1,432 grams
Dimensions 20.50 x 29.00 x 2.30 cms
Ksh 14,550.00
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This festschrift celebrates John Mitchell’s 80th birthday, showcasing his remarkable breadth as a polymath art historian. From Anglo-Saxon bibles to Roman mosaics and medieval knick-knacks, his infectious curiosity and deep insight defy academic categorisation.

This book celebrates John Mitchell on his 80th birthday. The festschrift brings together some of his army of undergraduate and graduate students, his fellow-travellers in the bi-ways of art history, his companions and colleagues on archaeological excavations and also a few admirers who have simply revelled in his friendship. The breadth of papers speaks volumes. John Mitchell describes himself as a jobbing art historian. It is a modest explanation to his peers as to why, while still working on the art historical canon from Anglo-Saxon bibles and crosses to Rembrandt, he has ventured far and wide into a field that he likes to describe, with a chuckle, as knick-knacks. This cornucopia of interests, as this volume attests, is quite simply remarkable. He has mastered Roman mosaics, late antique architecture and amulets, Umayadd painting, the familiar and unfamiliar quotidian objects of the early Middle Ages from nails to trap-door hinges and, if occasion demanded, flints used in Lombard contexts, as well as coins of all periods. It is not at all an exaggeration to describe him as a polymath. His excitement about the past is infectious. These are the hallmarks of someone who thrillingly pursues meaning in everything as far as it is possible. No matter what the object might be, his eye dwells longingly on its creation and its wider social significance. In sum, John Mitchell defies categorisation in the age of the corporate academy.


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