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Cosmic Connections – Poetry in the Age of Disenchantment
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Cosmic Connections – Poetry in the Age of Disenchantment : Poetry in the Age of Disenchantment

Book Details

Format Paperback / Softback
ISBN-10 0674303598
ISBN-13 9780674303591
Publisher Harvard University Press
Imprint Harvard University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 10th, 2026
Print length 640 Pages
Weight 680 grams
Dimensions 15.60 x 23.60 x 4.60 cms
Ksh 4,500.00
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Charles Taylor delves into the poetry of the Romantics and their heirs, a foundation of his distinctive philosophy of language. Taylor holds that Romantic poetry responded to disenchantment: with old cosmic orders depleted, artists groped to articulate new meanings by bringing connections to life rather than merely reasoning abstractly about life.
A Times Literary Supplement Best Book of the YearA major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language. The Language Animal, Charles Taylor’s 2016 account of human linguistic capacity, was a revelation, illuminating our most fundamental selves. But, as Taylor noted in that work, there was more to be said. Cosmic Connections extends Taylor’s exploration of innovations in language by turning to Romantic and post-Romantic responses to disenchantment. The fall of cosmic order left Romantics groping toward a new meaning of life. They turned to the symbols and music of poetry to recover contact with reality beyond fragmented existence, developing aesthetic forms that post-Romantics have carried into the present day. Taylor takes us from Hölderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarmé, and on to Eliot, Milosz, and beyond. In seeking understanding and a new orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. Poetry’s reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too moving—too obviously true—to be ignored.

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