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Cosmosexuals
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Cosmosexuals : Screen Acting, Stardom, and Male Sex Appeal

Book Details

Format Hardback or Cased Book
ISBN-10 1477332839
ISBN-13 9781477332832
Publisher University of Texas Press
Imprint University of Texas Press
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 2nd, 2025
Print length 284 Pages
Weight 580 grams
Dimensions 16.20 x 24.30 x 2.80 cms
Ksh 8,300.00
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An exploration of Alexander Payne’s films unveils neurotic wanderers caught between daily drudgery and the promise of escape. Focusing on disillusioned idealists, the study probes themes of masculinity, nostalgia and class, offering humor and poignant insight into the intricacies of modern American life.

An examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage.

Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world.

Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Mark Gallagher assembles a diverse cast - Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more-analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts-from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”-and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire.


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