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Counter-Tourism: The Handbook
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Counter-Tourism: The Handbook

Revised

Book Details

Format Paperback / Softback
ISBN-10 1908009861
ISBN-13 9781908009869
Edition Revised
Publisher Triarchy Press
Imprint Triarchy Press
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 22nd, 2016
Print length 228 Pages
Weight 302 grams
Dimensions 14.30 x 21.70 x 2.10 cms
Product Classification: Performance artTourism industry
Ksh 4,500.00
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This is the definitive guide to Counter-Tourism, except that Counter-Tourism has a low opinion of definitive guides. So it's more like an equivocal misguide. It includes dozens of detailed Counter-Tourism 'tactics' plus the thinking behind Counter-Tourism, its academic and philosophical background, and its roots in film, music and literature.

For anyone who''s ever been a tourist, Counter-Tourism is an invitation to completely transform our experience of the heritage-tourism industry and its many sites (castles, National Trust properties, etc.). It provides a set of powerful lenses, designed to bend a whole world of conventional tourism into a spiral of new perspectives and experiences. Beneath those simple sounding stories in the Visitor Guide and behind the locked gates marked PRIVATE in heritage sites, there lies a multitude of inconvenient stories, hilarities, wonders, absurdities, extremes and entertaining outrages. When Counter-Tourism opens the doors, tourism becomes a funny, shocking, revealing, subversive and life-changing experience rather than a deferential procession through the unrevealing stately homes of Heritage plc. Counter-Tourism upsets the sanitising efforts of the heritage industry. Counter-tourism is also a journey of mini-pilgrimages, challenges and pleasures. It celebrates the multiplicities of meanings in every heritage venue and upsets all the heritage industry''s attempts at meaning-control and homogenisation. With hundreds more tactics and images, philosophical diversions and asides, the Handbook is for anyone who wants to explore the ideas of counter-tourism in more depth. Part 2 of the Handbook has ideas on how to extend the tactics described in Part 1 into interventions that can be planned and performed in heritage sites. And Part 3 goes on to suggest open ''infiltrations'' that can be used by artists, performers, radical tourists and even heritage site managers themselves to reinvent their own sites. Alongside this there''s a photo-essay on using the tactics, and a full bibliography.


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