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Crisis TV
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Crisis TV : Hispanic Television Narratives after 2008

Book Details

Format Paperback / Softback
ISBN-10 1438499868
ISBN-13 9781438499864
Publisher State University of New York Press
Imprint State University of New York Press
Country of Manufacture GB
Country of Publication GB
Publication Date May 2nd, 2025
Print length 244 Pages
Weight 366 grams
Dimensions 15.10 x 22.90 x 1.50 cms
Ksh 4,850.00
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Wide-ranging, in-depth analysis of Spanish-language television fiction after the 2008 global financial crisis. Crisis TV addresses the motif of crisis that has come to dominate contemporary Hispanic televisual production since 2008 and the onset of the global financial crisis. In almost unprecedented fashion, the global economy came to a standstill, reshaping both geopolitical organizations and, more importantly, the lives of billions across the globe. The Great Recession, sociopolitical instabilities, the rise of extremist political parties and governments, and a worldwide pandemic have resulted in a mode of crisis that pervades contemporary television fiction. 2008 also marks a revolution in television, as local and global streaming services began to gain market share and even overtake traditional over-the-air transmission. The essays in Crisis TV identify and analyze the narrative tropes and aesthetic qualities of Hispanic television post-2008 to understand how different regions and genres have negotiated these intersecting crises and changing dynamics in production, dissemination, and consumption.

Wide-ranging, in-depth analysis of Spanish-language television fiction after the 2008 global financial crisis.

Crisis TV addresses the motif of crisis that has come to dominate contemporary Hispanic televisual production since 2008 and the onset of the global financial crisis. In almost unprecedented fashion, the global economy came to a standstill, reshaping both geopolitical organizations and, more importantly, the lives of billions across the globe. The Great Recession, sociopolitical instabilities, the rise of extremist political parties and governments, and a worldwide pandemic have resulted in a mode of crisis that pervades contemporary television fiction. 2008 also marks a revolution in television, as local and global streaming services began to gain market share and even overtake traditional over-the-air transmission. The essays in Crisis TV identify and analyze the narrative tropes and aesthetic qualities of Hispanic television post-2008 to understand how different regions and genres have negotiated these intersecting crises and changing dynamics in production, dissemination, and consumption.


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