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Cultural Seeds: Essays on the Work of Nick Cave

By: (Edited by) Karen Welberry , (Edited by) Tanya Dalziell

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Ksh 26,100.00

Format: Hardback or Cased Book

ISBN-10: 0754663957

ISBN-13: 9780754663959

Series: Ashgate Popular and Folk Music Series

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: May 28th, 2009

Print length: 230 Pages

Weight: 582 grams

Dimensions (height x width x thickness): 23.90 x 16.60 x 2.10 cms

Product Classification: Rock & Pop music
Regional studies

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Nick Cave is widely recognized as a songwriter, musician, novelist, screenwriter, curator, critic, actor and performer. This book presents ways of seeing and understanding Cave's contributions to contemporary culture, and sets up a dialog between fields all-too-often separated in the academy and in the media.
Nick Cave is now widely recognized as a songwriter, musician, novelist, screenwriter, curator, critic, actor and performer. From the band, The Boys Next Door (1976-1980), to the spoken-word recording, The Secret Life of the Love Song (1998), to the recently acclaimed screenplay of The Proposition (2005) and the Grinderman project (2008), Cave''s career spans thirty years and has produced a comprehensive (and sometimes controversial) body of work that has shaped contemporary alternative culture. Despite intense media interest in Cave, there have been remarkably few comprehensive appraisals of his work, its significance and its impact on understandings of popular culture. In addressing this absence, the present volume is both timely and necessary. Cultural Seeds brings together an international range of scholars and practitioners, each of whom is uniquely placed to comment on an aspect of Cave''s career. The essays collected here not only generate new ways of seeing and understanding Cave''s contributions to contemporary culture, but set up a dialogue between fields all-too-often separated in the academy and in the media. Topics include Cave and the Presley myth; the aberrant masculinity projected by The Birthday Party; the postcolonial Australian-ness of his humour; his interventions in film and his erotics of the sacred. These essays offer compelling insights and provocative arguments about the fluidity of contemporary artistic practice.

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