Czeslaw Milosz's Faith in the Flesh : Body, Belief, and Human Identity
by
Stanley Bill
Book Details
Format
Hardback or Cased Book
ISBN-10
0192844393
ISBN-13
9780192844392
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 16th, 2021
Print length
224 Pages
Weight
496 grams
Dimensions
24.10 x 16.30 x 2.20 cms
Product Classification:
Literary studies: from c 1900 -Literary studies: poetry & poetsPhilosophy of religion
Ksh 15,600.00
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A study of the writings of Polish laureate Czeslaw Milosz perspectives on transcendence and religious belief in a secular age through creative engagement with sensual or material experience.
This book presents Czesław Miłosz''s poetic philosophy of the body as an original defense of religious faith, transcendence, and the value of the human individual against what he viewed as dangerous modern forms of materialism. The Polish Nobel laureate saw the reductive "biologization" of human life as a root cause of the historical tragedies he had witnessed under Nazi German and Soviet regimes in twentieth-century Central and Eastern Europe. The book argues that his response was not merely to reconstitute spiritual or ideal forms of human identity, which no longer seemed plausible. Instead, he aimed to revalidate the flesh, elaborating his own non-reductive understandings of the self on the basis of the body''s deeper meanings. Within the framework of a hesitant Christian faith, Miłosz''s poetry and prose often suggest a paradoxical striving toward transcendence precisely through sensual experience. Yet his perspectives on bodily existence are not exclusively affirmative. The book traces his diverse representations of the body from dualist visions that demonize the flesh through to positive images of the body as the source of religious experience, the self, and his own creative faculty. It also examines the complex relations between "masculine" and "feminine" bodies or forms of subjectivity, as Miłosz represents them. Finally, it elucidates his contention that poetry is the best vehicle for conveying these contradictions, because it also combines "disembodied", symbolic meanings with the sensual meanings of sound and rhythm. For Miłosz, the double nature of poetic meaning reflects the fused duality of the human self.
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