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D. W. Griffith
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D. W. Griffith : Interviews

Book Details

Format Hardback or Cased Book
ISBN-10 1617032980
ISBN-13 9781617032981
Publisher University Press of Mississippi
Imprint University Press of Mississippi
Country of Manufacture US
Country of Publication GB
Publication Date Jul 30th, 2012
Print length 224 Pages
Weight 568 grams
Dimensions 23.80 x 15.40 x 2.20 cms
Product Classification: Individual film directors, film-makers
Ksh 15,850.00
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D.W. Griffith (1875-1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. Collected together here are virtually all of the “interviews” given by D.W. Griffith from the first in 1914 to the last in 1948.
D. W. Griffith (1875-1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the cinema to a new level of art, entertainment, and innovation, and at the same time he illustrated, for the first time, its potential to influence an audience and propagandize a cause.

Collected together here are virtually all of the ""interviews"" given by D. W. Griffith from the first in 1914 to the last in 1948. Some of the interviews concentrate on specific films, including The Birth of a Nation, Intolerance, and, most substantially, Hearts of the World, while others provide the director with an opportunity to expound on topics of personal interest, including the importance of proper exhibition of his and other''s films, and his search for truth and beauty on screen.

The interviews are taken from many sources, including leading newspapers, trade papers, and fan magazines. They are often marked by humor and by a desire to please the interviewer and thus the reader. Griffith may not have been particularly enthusiastic about giving interviews, but he seems always determined to put on a good show.

Ultimately, D. W. Griffith: Interviews provides the reader with a unique insight into the mind and filmmaking techniques of a director whose work and philosophy is as relevant today as it was when he was at the height of his fame in the 1910s and 1920s.


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