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Dante's Comedy and the Ethics of Invective in Medieval Italy
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Dante's Comedy and the Ethics of Invective in Medieval Italy : Humor and Evil

Book Details

Format Paperback / Softback
ISBN-10 1498567800
ISBN-13 9781498567800
Publisher Bloomsbury Publishing Plc
Imprint Lexington Books
Country of Manufacture US
Country of Publication GB
Publication Date Jul 15th, 2021
Print length 350 Pages
Weight 516 grams
Dimensions 15.20 x 22.80 x 2.20 cms
Ksh 8,050.00
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This book proposes a new approach to invective and comic poetry in the Middle Ages and opens the way for an innovative understanding of Dante’s masterpiece. It also unveils new biographical data from Italian state archives (published in English for the very first time) about important poets from medieval Italy.

Dante''s Comedy and the Ethics of Invective in Medieval Italy proposes a new approach to invective and comic poetry in Italy during the thirteenth and fourteenth centuries and opens the way for an innovative understanding of Dante’s masterpiece. The Middle Ages in Italy offer a wealth of vernacular poetic invectives—polemical verses aimed at blaming specific wrongdoings of an individual, group, city or institution— that are both understudied and rarely juxtaposed. No study has yet provided a scholarly examination of the connection between this medieval invective tradition, and its elements of humor, derision, and reprehension in Dante’s Comedy. This book argues that these comic texts are rooted in and actively engaged with the social, political, and religious conflicts of their time. Political invective has a dynamic ethical orientation that is mediated by a humor that disarms excessive hostility against its individual targets, providing an opening for dialogue. While exploring medieval comic poems by Rustico Filippi (from Florence), Cecco Angiolieri (from Siena), and Folgore da San Gimignano, this study unveils new biographical data about these poets retrieved from Italian state archives (most of these data are published here in English for the very first time), and ultimately shows what the medieval invective tradition can add to our understanding of Dante’s Comedy.


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