Dante's Masterplot and Alternative Narratives in the Commedia
Book Details
Format
Hardback or Cased Book
ISBN-10
0192857673
ISBN-13
9780192857675
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 24th, 2022
Print length
210 Pages
Weight
364 grams
Dimensions
14.20 x 22.30 x 2.00 cms
Product Classification:
Literary studies: classical, early & medievalLiterary studies: poetry & poets
Ksh 15,450.00
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Alongside traditional notions of Dante's trademark plurality of linguistic registers and styles, this book argues that his narrative pluralism can and should play a key role in contemporary and future readings of the Commedia.
Dante''s Masterplot and Alternative Narratives in the ''Commedia'' questions the familiar narrative arc at play in the writings of Dante Alighieri and opens his masterpiece to three alternative models that resist it. Dante''s masterplot is the teleological trajectory by which the poet subordinates the past to the authority of a new experience. The book analyses the masterplot''s workings in Dante''s text and its role in the interpretation of the poem, and it documents its overwhelming success in influencing readings of the Commedia over the centuries. The volume then explores three competing narrative models that resist and counter its monopoly which are enacted by paradoxes, alternative endings and parallel lives, and the future. By focusing on these non-linear modes of storytelling and testing the limits of linear narration, the book questions critical paradigms in the scholarship of the Commedia that favour a single normative master truth, exposes their problematic authoritarian implications, and highlights the manifold poetic, theological, and ethical tensions that are often neglected due to the masterplot''s influence. The new picture of a vulnerable author and open-ended text that emerges from this study thus doubles as a metacritical reflection on the state of the field. The book''s impassioned argument is that, alongside established notions of his trademark plurality of linguistic registers and styles, Dante''s narrative pluralism can, and should, come to play a key role in contemporary and future readings of the Commedia.
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