Dead Funny : The Humor of American Horror
Book Details
Format
Hardback or Cased Book
ISBN-10
1978834179
ISBN-13
9781978834170
Publisher
Rutgers University Press
Imprint
Rutgers University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 14th, 2023
Print length
240 Pages
Weight
454 grams
Dimensions
23.50 x 15.60 x 2.00 cms
Ksh 10,600.00
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Horror films strive to make audiences scream, but they also make them laugh. Little work has been done, however, to explain precisely how horror’s humor operates. Dead Funny offers a road map of key humorous devices that have been prominent in North American horror films since the 1930s.
Horror films strive to make audiences scream, but they also garner plenty of laughs. In fact, there is a long tradition of horror directors who are fluent in humor, from James Whale to John Landis to Jordan Peele. So how might horror and humor overlap more than we would expect?
Dead Funny locates humor as a key element in the American horror film, one that is not merely used for extraneous "comic relief" moments but often serves to underscore major themes, intensify suspense, and disorient viewers. Each chapter focuses on a different comic style or device, from the use of funny monsters and scary clowns in movies like A Nightmare on Elm Street to the physical humor and slapstick in movies ranging from The Evil Dead to Final Destination. Along the way, humor scholar David Gillota explores how horror films employ parody, satire, and camp to comment on gender, sexuality, and racial politics. Covering everything from the grotesque body in Freaks to the comedy of awkwardness in Midsommar, this book shows how integral humor has been to the development of the American horror film over the past century.
Dead Funny locates humor as a key element in the American horror film, one that is not merely used for extraneous "comic relief" moments but often serves to underscore major themes, intensify suspense, and disorient viewers. Each chapter focuses on a different comic style or device, from the use of funny monsters and scary clowns in movies like A Nightmare on Elm Street to the physical humor and slapstick in movies ranging from The Evil Dead to Final Destination. Along the way, humor scholar David Gillota explores how horror films employ parody, satire, and camp to comment on gender, sexuality, and racial politics. Covering everything from the grotesque body in Freaks to the comedy of awkwardness in Midsommar, this book shows how integral humor has been to the development of the American horror film over the past century.
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