Death, Men, and Modernism : Trauma and Narrative in British Fiction from Hardy to Woolf
Book Details
Format
Hardback or Cased Book
Book Series
Literary Criticism and Cultural Theory
ISBN-10
0415943507
ISBN-13
9780415943505
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 11th, 2003
Print length
166 Pages
Weight
400 grams
Dimensions
15.80 x 23.60 x 1.80 cms
Ksh 27,900.00
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This work argues that Modern novelists deployed the figure of the dying man to examine the trauma of cultural change and the crisis of masculinity during the transition period.
Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy''s Jude the Obscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.
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