Definición y caracterización de las cerámicas a mano con decoración pintada del sur de la península ibérica en época tartésica
Book Details
Format
Paperback / Softback
ISBN-10
1789697727
ISBN-13
9781789697728
Publisher
Archaeopress
Imprint
Access Archaeology
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 12th, 2020
Print length
476 Pages
Weight
1,566 grams
Dimensions
20.70 x 27.70 x 3.10 cms
Product Classification:
SpainPrehistoryBronze AgePrehistoric archaeologyArchaeology by period / region
Ksh 13,900.00
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This volume presents a study of the handmade ceramics with painted decoration from the Late Bronze Age and the First Iron Age in the Guadalquivir and Guadiana valleys—the context in which the Tartessian culture developed—defining their technical characteristics, dispersion, forms, decoration, symbolism, chronology, use and meaning.
Handmade ceramics with painted decoration constitute one of the most outstanding archaeological materials from the Late Bronze Age and the First Iron Age in the Guadalquivir and Guadiana valleys, the context in which the Tartessian culture developed. In this work, an exhaustive study of these ceramic styles has been attempted, defining their technical characteristics, dispersion, forms, decoration, symbolism, chronology, use and meaning. To this overall study are added several unpublished pieces by Alarcos, some with archeometric and content analysis, the results of which allow questioning their traditional consideration as ''post-firing ceramics''.
This characterization allows an orientation in the classification of some styles traditionally considered as a monolithic set when really, there is a much more complex panorama due to different chronological and cultural circumstances. Among the latter, the relationships and contacts established between local communities and Mediterranean populations stand out, giving rise to cultural phenomena of miscegenation or hybridization in which local tradition was combined with all exogenous contributions, a fossilized reality in these productions. This book presents the most complete and up-to-date work on these ceramics, studied from the perspective of new theoretical-methodological approaches and recent interpretations.
This characterization allows an orientation in the classification of some styles traditionally considered as a monolithic set when really, there is a much more complex panorama due to different chronological and cultural circumstances. Among the latter, the relationships and contacts established between local communities and Mediterranean populations stand out, giving rise to cultural phenomena of miscegenation or hybridization in which local tradition was combined with all exogenous contributions, a fossilized reality in these productions. This book presents the most complete and up-to-date work on these ceramics, studied from the perspective of new theoretical-methodological approaches and recent interpretations.
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