Defining Cinema : Rouben Mamoulian and Hollywood Film Style, 1929-1957
Book Details
Format
Hardback or Cased Book
Book Series
Oxford Music / Media
ISBN-10
0197511228
ISBN-13
9780197511220
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 16th, 2024
Print length
328 Pages
Weight
1,330 grams
Product Classification:
Individual film directors, film-makersFilm production: technical & background skills
Ksh 17,050.00
Not Yet Published
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Quality
Fast
Defining Cinema: Rouben Mamoulian and Hollywood Film Style, 1929-1957 takes a holistic look at Mamoulian''s oeuvre by examining both his stage and his screen work, and also brings together insights from his correspondence, his theories on film, and analysis of the films themselves. It presents a filmmaker whose work was innovative and exciting, who pushed hard on cinema''s potential as an artform, and who in many ways helped move cinema towards the kind of entertainment that it remains today.
Arriving in cinema when synchronized sound had just been adopted, director Rouben Mamoulian demonstrated key early methods for making sound aid storytelling, for giving films a crisper sense of rhythm, for creating musicals set in backstage, fairy-tale, and folk environments, for providing intricate and arresting colour palettes, and for rendering sexual content more palpable under industry censorship. Mamoulian also wrote many articles throughout his lifetime and gave interviews and lectures where he advanced his complex ideas about the potentials of various artforms, including cinema. In addition, he left an extensive paper record of his work, including heavily annotated scripts for each of the sixteen films he directed. Mamoulian also enjoyed major success on the stage. He directed the original landmark productions of Porgy, Porgy and Bess, Oklahoma!, and Carousel, and his efforts in this domain informed his film work. Defining Cinema takes a holistic look at Mamoulian''s oeuvre by examining both his stage and his screen work, and also brings together insights from his correspondence, his theories on film, and analysis of the films themselves. It presents a filmmaker whose work was innovative and exciting, who pushed hard on cinema''s potential as an artform, and who in many ways helped move cinema towards the kind of entertainment that it remains today. The book thus tells a story that is vital not just for better understanding the work of a neglected filmmaker, but for anyone interested in the history of Hollywood filmmaking.
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