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Deodat de Severac
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Deodat de Severac : Musical Identity in Fin de Siecle France

Book Details

Format Paperback / Softback
ISBN-10 1138274275
ISBN-13 9781138274273
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 9th, 2016
Print length 288 Pages
Weight 438 grams
Dimensions 15.60 x 23.30 x 2.50 cms
Ksh 10,100.00
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Best known for his piano music, Déodat de Séverac (1872-1921) also composed orchestral and vocal works, including opera, cantata and incidental music. In this book, Robert Waters provides a much-needed study of the life and works of Séverac, focusing on the composer''s regionalist philosophy. Séverac''s engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.
Déodat de Séverac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Claude Debussy described Séverac''s music as "exquisite and rich with ideas." The early works were influenced by Impressionist harmonies, church modes, cyclic techniques, folk-like melodies and Andalusian motives. Séverac''s style changed dramatically in 1907 when he left Paris and began to include Catalan elements in his compositions - a transition that has hitherto gone unrecognized. Robert Waters provides a much-needed study of the life and works of Séverac, focusing on the composer''s regionalist philosophy. Séverac''s engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. His musical philosophy mirrored larger social and political debates regarding anti-centralist positions on education, politics, art and culture in fin de siècle France. Such debates involved political and social leaders whom Séverac knew and personally admired, including the writer Maurice Barrès and the poet Frédéric Mistral. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.

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