Designing the Computational Image, Imagining Computational Design
Book Details
Format
Hardback or Cased Book
ISBN-10
1954081340
ISBN-13
9781954081345
Publisher
Oro Editions
Imprint
Oro Editions
Country of Manufacture
CN
Country of Publication
GB
Publication Date
Nov 2nd, 2023
Print length
380 Pages
Weight
1,216 grams
Dimensions
18.50 x 24.20 x 3.10 cms
Product Classification:
Industrial / commercial art & designComputer-aided design (CAD)
Ksh 7,200.00
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Designing the Computational Image, Imagining Computational Design explores this period of remarkable inventiveness, and traces its repercussions on architecture and other creative fields through a selection of computational designers working today.
During the three decades following the Second World War, and before the advent of personal computers, government investment in university research in North America and the UK funded multidisciplinary projects to investigate the use of computers for manufacturing and design.
Designing the Computational Image, Imagining Computational Design explores this period of remarkable inventiveness, and traces its repercussions on architecture and other creative fields through a selection of computational designers working today. Situating contemporary expressions of design in relation to broader historical, disciplinary, and technical frames, the book showcases the confluence, during the second half of the twentieth century, of publicly funded technical innovations in software, geometry, and hardware with a cultural imaginary of design endowing computer-generated images with both geometric plasticity and a new type of agency as operative design artifacts.
Designing the Computational Image, Imagining Computational Design explores this period of remarkable inventiveness, and traces its repercussions on architecture and other creative fields through a selection of computational designers working today. Situating contemporary expressions of design in relation to broader historical, disciplinary, and technical frames, the book showcases the confluence, during the second half of the twentieth century, of publicly funded technical innovations in software, geometry, and hardware with a cultural imaginary of design endowing computer-generated images with both geometric plasticity and a new type of agency as operative design artifacts.
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