DHC / LIBRE ART
Book Details
Format
Hardback or Cased Book
ISBN-10
377743194X
ISBN-13
9783777431949
Publisher
Hirmer Verlag
Imprint
Hirmer Verlag
Country of Manufacture
DE
Country of Publication
GB
Publication Date
Feb 28th, 2019
Print length
300 Pages
Weight
2,204 grams
Dimensions
27.50 x 30.40 x 4.10 cms
Product Classification:
Art & design styles: from c 1960
Ksh 8,250.00
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LIBRE DHC / ART tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART is dedicated to bringing powerful experiences of contemporary art to the public with a mission of accessibility on multiple levels. The critically acclaimed program includes major artists from around the world, like Marc Quinn, Sophie Calle, Christian Marclay, Michal Rovner, Eija-Liisa Ahtila, Jenny Holzer, Ceal Floyer, Jake and Dinos Chapman, Richard Mosse, Yinka Shonibare MBE, Joan Jonas, Wim Delvoye, Ed Atkins, Bill Viola, and many more. The book chronicles the evolution of DHC/ART since its launch in 2007 by Phoebe Greenberg and presents critical essays exploring how museums can connect contemporary art to the audiences of the future. Including contributions by authors Sarah Thornton and Jan Verwoert, LIBRE DHC / ART showcases lavish exhibition views of works by world-renowned contemporary artists.
DHC/ART LIBRE tells the story of a contemporary art foundation unlike any other. Situated in the cosmopolitan city of Montreal, DHC/ART – as well as this publication – is dedicated to bringing impactful experiences with contemporary art to the public with a mission of accessibility on multiple levels. The critically-acclaimed program includes major artists from around the world, like Christian Marclay, Joan Jonas and Yinka Shonibare MBE. The publication chronicles the evolution of DHC/ART – since its launch in 2007 by Phoebe Greenberg – and through its story provides a platform for critical essays that open up larger questions about the potential for innovative institutional models to develop contemporary art audiences for the future. Amongst the contributors are Sarah Thornton and Jan Verwoert. The DHC/ART Education department provides an account of their critical pedagogy while the book is rounded out with a questionnaire on the use-value of Installation View photography with contributions from Simon Starling, Barbara Clausen, JiaJia Fei, Brian Droitcour, Vincent Bonin and Richard-Max Tremblay.
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