Dialectic and Paradox : Configurations of the Third in Modernity
New
Book Details
Format
Paperback / Softback
Book Series
Cultural History & Literary Imagination
ISBN-10
3034307144
ISBN-13
9783034307147
Edition
New
Publisher
Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint
Peter Lang AG, Internationaler Verlag der Wissensc
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Mar 18th, 2013
Print length
259 Pages
Weight
388 grams
Dimensions
15.30 x 22.50 x 3.10 cms
Product Classification:
PhilosophySociology & anthropology
Ksh 10,400.00
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From Hegel to the present, the humanities and social sciences have revealed the volatile power of third agency. The articles in this volume trace the role of triadic figures across a broad range of discourses, revealing the roots of modernity in dialectic and paradox. Features innovative perspectives on Adorno, Agamben, Derrida, Simmel and more.
From Hegel to the present, the humanities and social sciences have revealed the volatile power of third agency. Systems of thought and practice are often disturbed by the presence of a figure that exceeds traditional binary oppositions. The articles in this volume trace the role of these triadic figures across a broad range of discourses in social theory, philosophy and science studies. Modernity emerges as a mode of system-formation, perpetuation and self-reflection that is deeply rooted in the dynamics of dialectic and paradox.
The volume offers an approach which is both systematic and genealogical, providing innovative perspectives on such major thinkers as Adorno, Agamben, Derrida, C. S. Peirce, the Romantics and Simmel as well as phenomena like the psychology of jealousy and envy, the epistemic status of scientific images and conceptions of metabolism. It is the first attempt to look at configurations of the third as a paradigm for the ‘unfinished project of modernity’ (Habermas).
The volume offers an approach which is both systematic and genealogical, providing innovative perspectives on such major thinkers as Adorno, Agamben, Derrida, C. S. Peirce, the Romantics and Simmel as well as phenomena like the psychology of jealousy and envy, the epistemic status of scientific images and conceptions of metabolism. It is the first attempt to look at configurations of the third as a paradigm for the ‘unfinished project of modernity’ (Habermas).
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