Digital Photography After AI : Continuity and Rupture in the Age of Automated Images
Book Details
Format
Paperback / Softback
ISBN-10
0262056399
ISBN-13
9780262056397
Publisher
MIT Press Ltd
Imprint
MIT Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 1st, 2026
Print length
296 Pages
Weight
369 grams
Product Classification:
The arts: general issuesThe arts: general topics
Ksh 5,950.00
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How AI-generated images radically alter our interactions with photography as well as our understanding of it.
In recent years, artificial intelligence technologies have made it easy for anyone to produce images that look indistinguishable from photographs. How do these AI-generated images change our understanding of photography? Should we consider them photography at all? In Digital Photography After AI, Amanda Wasielewski explores these questions as well as the historical and theoretical concerns for the field of photography after the widespread uptake of AI tools.
The book connects AI-generated photographs to a longer trajectory of the history of photography, from Henry Fox Talbot in the nineteenth century through Surrealism and the mid-twentieth century of media to more recent times, including camera phone photography and social media. The author addresses AI-generated images in terms of the technique, form, and function of photography throughout its history, as well as the documentary function of photography, image resolution and filter effects, the surreal and real quality of photographs and AI-generated images, and the latter’s impact on representation and illusion.
In recent years, artificial intelligence technologies have made it easy for anyone to produce images that look indistinguishable from photographs. How do these AI-generated images change our understanding of photography? Should we consider them photography at all? In Digital Photography After AI, Amanda Wasielewski explores these questions as well as the historical and theoretical concerns for the field of photography after the widespread uptake of AI tools.
The book connects AI-generated photographs to a longer trajectory of the history of photography, from Henry Fox Talbot in the nineteenth century through Surrealism and the mid-twentieth century of media to more recent times, including camera phone photography and social media. The author addresses AI-generated images in terms of the technique, form, and function of photography throughout its history, as well as the documentary function of photography, image resolution and filter effects, the surreal and real quality of photographs and AI-generated images, and the latter’s impact on representation and illusion.
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