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Distortion and Love : An Anthropological Reading of the Art and Life of Stanley Spencer

By: (Author) Nigel Rapport

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Ksh 27,000.00

Format: Hardback or Cased Book

ISBN-10: 1472461347

ISBN-13: 9781472461346

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 4th, 2015

Print length: 344 Pages

Weight: 808 grams

Dimensions (height x width x thickness): 16.40 x 24.30 x 2.70 cms

Product Classification: Individual artists, art monographs

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Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the 'memory-feelings' which he felt were a 'sacred' part of his consciousness. This book deals with his life and work.
In this ground-breaking book, a theory of ’distortion’ - of the way in which the processes of human life are subject to interference, diversion and transformation - is developed by way of the art of one of Britain’s greatest twentieth-century painters and that art’s public reception. Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the ’memory-feelings’ which he felt were a ’sacred’ part of his consciousness. Yet Spencer was also a controversial public figure, with some taking the view that his visionary paintings were ugly distortions of human life, even marks of an immoral nature. Examining how Spencer lived his vision, how he painted it and wrote it, and also how his attempts to communicate that vision were received by his contemporaries and have continued to be interpreted since his death, the author posits distortion as key: an intrinsic aspect both of human creation and of human interaction. What we intend to make, to say, to do and have done, often mutates in the process of being expressed or put into effect: we live amid distortion. Love - the affective appreciation of one another - is then a means by which we accommodate distortion and its consequences in our lives. An illustration, through Stanley Spencer’s story, of significant aspects of a human condition, this book will appeal across disciplines, including to art historians and students of Spencer’s work, as well as to scholars of anthropology with interests in creativity, perception and interpretation.

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