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Divinity, Hospitality and the Posthuman in 21st-Century Literature
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Divinity, Hospitality and the Posthuman in 21st-Century Literature : The Material Sacred

Book Details

Format Hardback or Cased Book
ISBN-10 1350280372
ISBN-13 9781350280373
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Academic
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 14th, 2024
Print length 224 Pages
Weight 480 grams
Dimensions 23.60 x 16.20 x 2.00 cms
Product Classification: Literary studies: from c 1900 -
Ksh 16,550.00
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What does it feel like to experience the sacred today? Examining in detail many of this century’s most significant writers, including Margaret Atwood, Salman Rushdie, Elizabeth Strout, Marilynne Robinson, Mohsin Hamid, Michael Chabon, Howard Jacobson and Don DeLillo, Divinity, Hospitality and the Posthuman in 21st-Century Literature: The Material Sacred argues that contemporary social and cultural forms, most especially those of 21st century literature, are marked by what Emily McAvan calls a material sacred. Placing Christian, Jewish and Muslim writers in conversation with the new materialisms, this book shows how secular and sacred mix unpredictably in contemporary writing. In this important contribution to the understanding of religion, materialism and literature, McAvan maps new territory, arguing that the material sacred shows us that the human and non-human, the divine and the profane, have been interwoven from the start.

What does it feel like to experience the sacred today? Examining in detail many of this century’s most significant writers, including Margaret Atwood, Salman Rushdie, Elizabeth Strout, Marilynne Robinson, Mohsin Hamid, Michael Chabon, Howard Jacobson and Don DeLillo, Divinity, Hospitality and the Posthuman in 21st-Century Literature: The Material Sacred argues that contemporary social and cultural forms, most especially those of 21st century literature, are marked by what Emily McAvan calls a material sacred.

Placing Christian, Jewish and Muslim writers in conversation with the new materialisms, this book shows how secular and sacred mix unpredictably in contemporary writing. In this important contribution to the understanding of religion, materialism and literature, McAvan maps new territory, arguing that the material sacred shows us that the human and non-human, the divine and the profane, have been interwoven from the start.


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