Aaron McCollough’s Double Venus meditates on social politics, personal politics, and the exchange between them. It concerns itself with the many manifestations of desire circulating within cultures of plenty. In doing so, Double Venus also adds to a tradition committed to socio-ethical practice based, in the final instance, on love.
Structured as a series of poetic arguments, essays, and visions, Double Venus seeks a suitable language for reconciling various styles of commitment. The collection is especially concerned with facing the call to individual accountability in the context of industrialized patriarchy even as it is counting the manifold blessings of life in that context. Thus, expressions of indignation are always sewn here with desire, fellow-feeling, creature comfort, and the knowledge that the Good Life may still hold some sweetness, even if it must always also be a “work of worry.” Double Venus oscillates between more and less open formal strategies in an explicit effort to bring the lyric into conversation with other discourses dedicated to ethical practice. Likewise, the collection meditates on the place of ethics in territories traditionally thought to be the special province of the lyric – on the place of the lyric in territories traditionally thought to be the special province of ethics.
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