Dutch Post-war Fiction Film through a Lens of Psychoanalysis
Book Details
Format
Hardback or Cased Book
Book Series
Framing Film
ISBN-10
9463725334
ISBN-13
9789463725330
Publisher
Amsterdam University Press
Imprint
Amsterdam University Press
Country of Manufacture
NL
Country of Publication
GB
Publication Date
May 4th, 2021
Print length
482 Pages
Weight
1,172 grams
Dimensions
16.20 x 24.20 x 3.50 cms
Ksh 37,800.00
Re-Printing
0 in stock
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Quality
Fast
Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately.
Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers’ oeuvre, which spans ‘art’ cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but this idea is put into perspective by using psychoanalytic theories on desire and fantasy. In the vein of cinephilia, this study brings together canonical titles (Als twee druppels water; Soldaat van Oranje) and little gems (Monsieur Hawarden; Kracht). It juxtaposes among others Gluckauf and De vliegende Hollander (on father figures); Flanagan and Spoorloos (on rabbles and heroes); De aanslag and Leedvermaak (on historical traumas); and Antonia and Bluebird (on aphanisis).
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