E. T. A. Hoffmann – Transgressive Romanticism : Transgressive Romanticism
Book Details
Format
Paperback / Softback
ISBN-10
1800856679
ISBN-13
9781800856677
Publisher
Liverpool University Press
Imprint
Liverpool University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Sep 1st, 2021
Print length
272 Pages
Weight
414 grams
Dimensions
15.40 x 23.40 x 2.20 cms
Product Classification:
Theatre studiesTheatre studiesClassical music (c 1750 to c 1830)Romantic music (c 1830 to c 1900)Art music, orchestral and formal musicLiterary essaysEssaysLiterary theoryLiterary studies: generalLiterary studies: c 1500 to c 1800Literary studies: c 1800 to c 1900Literary studies: fiction, novelists & prose writersLiterary studies: fiction, novelists and prose writersWestern philosophy: c 1600 to c 1900Philosophical traditions and schools of thought
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The essays in this volume address a very broad range of E. T. A. Hoffmann’s most significant works, examining them through the lens of “transgression.” His writings, perhaps more than those of any other German Romantic, portrayed the “dark side” of existence, which the following essays investigate for an Anglophone audience.
This collection of essays addresses a very broad range of E. T. A. Hoffmann’s most significant works, examining them through the lens of “transgression.” Transgression bears relevance to Hoffmann’s life and professions in three ways. First, his official career path was that of jurisprudence; he was active as a lawyer, a judge and eventually as one of the most important magistrates in Berlin. Second, his personal life was marked by numerous conflicts with political and social authorities. Seemingly no matter where he went, he experienced much chaos, grief and impoverishment in leading his always precarious existence. Third, his works explore characters and concepts beyond the boundaries of what was considered aesthetically acceptable. “Normal” bourgeois existence was often juxtaposed to the lives of criminals, sinners, and other deviants, both within the spaces of the known world as well as in supernatural realms. He, perhaps more than any other author of the German Romantic movement, regularly portrayed the dark side of existence in his works, including unconscious psychological phenomena, nightmares, somnambulism, vampirism, mesmerism, Doppelgänger, and other forms of transgressive behavior. It is the intention of this volume to provide a new look at Hoffmann’s very diverse body of work from numerous perspectives, stimulating interest in Hoffmann in English language audiences.
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