East, West and Centre : Reframing Post-1989 European Cinema
Book Details
Format
Paperback / Softback
ISBN-10
1474420923
ISBN-13
9781474420921
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 31st, 2017
Print length
360 Pages
Weight
548 grams
Dimensions
15.60 x 23.30 x 2.70 cms
Ksh 5,600.00
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Advanced students and scholars in European Film Studies
Twenty-five years have passed since the fall of the Berlin Wall and the end of communism in Eastern Europe, and ten years have passed since the first formerly communist states entered the EU. An entire post-Wall generation has now entered adulthood, yet scholarship on European cinema still tends to divide the continent along the old Cold War lines.
In East, West and Centre the world''s leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France, Germany) and marginal (Romania, Bulgaria, Lithuania) in Europe. This is a ground-breaking and essential read, not just for students and scholars in Film and Media Studies, but also for those interested in wider European Studies as well.
In East, West and Centre the world''s leading scholars in the field assemble to consider the ways in which notions such as East and West, national and transnational, central and marginal are being rethought and reframed in contemporary European cinema. Assessing the state of post-1989 European cinema, from (co)production and reception trends to filmic depictions of migration patterns, economic transformations and socio-political debates over the past and the present, they address increasingly intertwined cinema industries that are both central (France, Germany) and marginal (Romania, Bulgaria, Lithuania) in Europe. This is a ground-breaking and essential read, not just for students and scholars in Film and Media Studies, but also for those interested in wider European Studies as well.
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