ECHTZEIT : Dirk Braeckman
Book Details
Format
Paperback / Softback
ISBN-10
9464002336
ISBN-13
9789464002331
Publisher
Hopper & Fuchs
Imprint
Hopper & Fuchs
Country of Manufacture
BE
Country of Publication
GB
Publication Date
Mar 5th, 2025
Print length
208 Pages
Weight
1,140 grams
Dimensions
30.00 x 24.00 x 1.90 cms
Product Classification:
Exhibition catalogues & specific collectionsIndividual photographersPhotographs: collections
Ksh 8,100.00
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Dirk Braeckman has been exploring the medium of photography with his subtle, dark images for over 40 years. In ECHTZEIT he enters into a dialogue with the FOMU collection. It shows the museum pieces personally selected by the artist, and also the new work that these inspired. Text in English, French and Dutch.
ECHTZEIT is made in collaboration with Dirk Braeckman (BE, °1958) and FOMU Antwerp in line with his impacting solo show with the Collections department of the photo museum. Echtzeit offers a unique glimpse into Dirk Braeckman''s most recent photographs, accompanied with the museum''s collection and texts written by Clément Chéroux, director of the Foundation Henri Cartier-Bresson and Tamara Berghmans, curator of the exhibition.
Braeckman has chosen from the FOMU collection functional photographs, made without artistic ambition. He recognized certain qualities and commonalities with his own work in these atypical images.
Rephotography and experimentation have always formed part of Braeckman’s artistic practice, though the trajectory to the final image is always different. For the FOMU exhibition, he worked for the first time with an existing collection of photos. Braeckman took photos of the chosen images and printed them. He then over-painted, smeared or cut holes in the prints. He photographed the results and processed them further in his analogue and digital darkroom.
The original meaning of the photographs has been altered through the removal of context, the change in format and the addition of titles. A functional document is transformed into a piece of art, a timeless visual poem that raises more questions than it answers.
‘Echtzeit’ refers to Braeckman’s bridging of the past and present.
Text in English, French and Dutch.
Braeckman has chosen from the FOMU collection functional photographs, made without artistic ambition. He recognized certain qualities and commonalities with his own work in these atypical images.
Rephotography and experimentation have always formed part of Braeckman’s artistic practice, though the trajectory to the final image is always different. For the FOMU exhibition, he worked for the first time with an existing collection of photos. Braeckman took photos of the chosen images and printed them. He then over-painted, smeared or cut holes in the prints. He photographed the results and processed them further in his analogue and digital darkroom.
The original meaning of the photographs has been altered through the removal of context, the change in format and the addition of titles. A functional document is transformed into a piece of art, a timeless visual poem that raises more questions than it answers.
‘Echtzeit’ refers to Braeckman’s bridging of the past and present.
Text in English, French and Dutch.
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