Edouard Vuillard. In the Louvre : Paintings for a Basel Villa
Book Details
Format
Hardback or Cased Book
ISBN-10
377743759X
ISBN-13
9783777437590
Publisher
Hirmer Verlag
Imprint
Hirmer Verlag
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 27th, 2022
Print length
160 Pages
Weight
968 grams
Dimensions
21.40 x 28.50 x 2.10 cms
Ksh 6,300.00
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In 1921/22 Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel. Four large-format pictures show exhibition rooms in the Louvre from Antiquity to French Rococo painting. Two overdoors provide an intimate insight into the artist’s art collection. The cycle of paintings is of outstanding quality as regards both content and form, but it to date has seldom been examined and exhibited. It was created immediately after the end of the First World War and the re-opening of the Louvre. Vuillard’s Louvre pictures are a humanist manifesto for the social importance and responsibility of museums as places that preserve the evidence of human creativity for future generations.
Édouard Vuillard’s fascinating paintings of the Louvre for a villa in Basel.
In 1921 and 1922, soon after the end of World War I and the reopening of the Louvre, Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel, Switzerland. Four of these large-format pictures show exhibition rooms in the Louvre from antiquity to French rococo painting and two overdoors provide an intimate insight into the artist’s collection. The cycle of paintings is of outstanding quality in both content and form, but it has seldom been examined and exhibited to date. Vuillard’s Louvre pictures are a humanist manifesto for the social importance and responsibility of museums as places that preserve the evidence of human creativity for future generations.
In 1921 and 1922, soon after the end of World War I and the reopening of the Louvre, Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel, Switzerland. Four of these large-format pictures show exhibition rooms in the Louvre from antiquity to French rococo painting and two overdoors provide an intimate insight into the artist’s collection. The cycle of paintings is of outstanding quality in both content and form, but it has seldom been examined and exhibited to date. Vuillard’s Louvre pictures are a humanist manifesto for the social importance and responsibility of museums as places that preserve the evidence of human creativity for future generations.
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