Eighteenth-Century Satire : Essays on Text and Context from Dryden to Peter Pindar
Book Details
Format
Paperback / Softback
ISBN-10
0521034094
ISBN-13
9780521034098
Publisher
Cambridge University Press
Imprint
Cambridge University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 15th, 2007
Print length
276 Pages
Weight
425 grams
Dimensions
22.90 x 15.10 x 1.70 cms
Product Classification:
EnglishLiterary studies: generalLiterary studies: c 1500 to c 1800
Ksh 7,600.00
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Howard D. Weinbrot here collects thirteen of his most important essays on Restoration and eighteenth-century British satire. Clearly written, learned, and often witty, this book emphasizes the breadth of context that enriches our understanding of satire and the relationships among the nurturing culture, the producing poet, the poem producers, and the poem as received in its age.
Howard D. Weinbrot here collects thirteen of his most important essays on Restoration and eighteenth-century British satire. Divided into sections on 'contexts' and 'texts', the essays range widely and deeply across the spectrum of satiric kinds, satirists, satires, and scholarly and critical problems. In 'Contexts', Professor Weinbrot discusses the pattern of formal verse satire of blame and praise popularized by Dryden in 1693 and influential throughout the next century, challenges the traditional view that Hprace and 'Augustanism' define eighteenth-century satire, and focuses on the vexed question of whether there was indeed a 'persona' or theory of masking at work in eighteenth-century satire. In 'Texts' he deals with several of the most important verse satirists and satires of the period and closely analyses them within their historical and artistic frameworks. Clearly written, learned, and often witty, this book is committed to critical inquiry that respects the integrity of its texts. It also emphasized the breadth of context that enriches our understanding of satire and the relationships among the nurturing culture, the producing poet, the poem producers, and the poem as received in its age.
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