Elegies & Vacations
by
Hank Lazer
Book Details
Format
Paperback / Softback
Book Series
Salt Modern Poets
ISBN-10
1844710084
ISBN-13
9781844710089
Publisher
Salt Publishing
Imprint
Salt Publishing
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Mar 1st, 2004
Print length
144 Pages
Weight
206 grams
Dimensions
21.60 x 14.30 x 0.90 cms
Product Classification:
Poetry / poems by individual poetsPoetry by individual poets
Ksh 2,050.00
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A unique collection of eleven poems, each quite different from the next, Elegies & Vacations explores the relationships of the living and the dead. Lazer’s poems have an unusual emotional intimacy as he tests the ability of an experimental poetry to address emotionally charged subjects.
A book of intense emotional power, Elegies & Vacations marks Hank Lazer’s taking the resources of innovative poetry in new directions that are at once elegiac, skeptical, and spiritual. Eleven poems, no two alike, Elegies & Vacations is an ambitious attempt, in the words of Robert Duncan, “to recreate the heart of poetry itself.” Linking elegies to extended journal-like meditations, Elegies & Vacations asks “what the day may mean.” At the heart of the book is a long poem, “Deathwatch for My Father,” which tracks the poet’s father’s final months, testing out the capacities of innovative poetry in the face of the death of a loved one. The book explores relationships with the dead – from the poet’s father, to John Cage, to Kenneth Burke, to George Oppen – while also, through family vacations, projecting forward to ask “to what are we ancestral.” The opposed or apposed guiding lights of the book – John Ashbery and George Oppen – like the juxtaposed elegies and vacations, offer divergent modes of verbal and ethical grace. Informed by a Buddhist sensibility, as well as by the relativistic thinking of reform (and mystical) Judaism, Lazer’s poems move through varying terrains of form, textuality, and geography, from Suzhou (China) to the Abacos (the Bahamas), from Diamond Head (Oahu) to Orono (Maine), from an extended portrait to a journal, from children’s stories to a two-columned composition on the nature of literary history.
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