Elizabethan Architecture – Its Rise and Fall 1540 – 1640
Book Details
Format
Hardback or Cased Book
ISBN-10
0300093861
ISBN-13
9780300093865
Publisher
Yale University Press
Imprint
Yale University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Sep 30th, 2009
Print length
400 Pages
Weight
3,352 grams
Dimensions
30.50 x 25.90 x 4.50 cms
Product Classification:
Architecture
Ksh 11,700.00
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Discusses social structure and the way of life behind Elizabethan and Jacobean architecture, the ferment of excitement aroused in English patrons and craftsmen as they learnt about the classic Five Orders and the buildings of Ancient Rome from publications and engravings, and architectural drawings which survive from the period.
Elizabethan and Jacobean architecture— the uniquely strange and exciting buildings built by the great and powerful, ranging from huge houses to gem-like pavilions and lodges designed for feasting and hunting—is a phenomenon as remarkable as the literature that accompanied it, the literature of Shakespeare, Spenser, Sidney, Marlow, and others. In this beautiful and fascinating book, Mark Girouard discusses social structure and the way of life behind it, the evolution of the house plan, the excitement of English patrons and craftsmen as they learned not only about the classic Five Orders and the buildings of Ancient Rome, the surprising wealth of architectural drawings that survive from the period, the inroads of foreign craftsmen who brought new fashions in ornament, but also the strength of the native tradition that was creatively integrated with the “antique” style. Behind the book is a vivid consciousness of the European scene: Italy, France, central Europe and above all the Low Countries and their influence on England. But the principal argument of the book is the unique individuality of the English achievement. The result of new research and fieldwork, as well as a lifetime’s observation and scholarship, this remarkable book displays Girouard’s unique sense of style and his enduring excitement for the architecture of the period. Published for the Paul Mellon Centre for Studies in British Art
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