Emergency Money : Notgeld in the Image Economy of the German Inflation, 1914–1923
Book Details
Format
Paperback / Softback
ISBN-10
0262546809
ISBN-13
9780262546805
Publisher
MIT Press Ltd
Imprint
MIT Press
Country of Manufacture
CA
Country of Publication
GB
Publication Date
Jan 23rd, 2024
Print length
272 Pages
Weight
576 grams
Dimensions
24.00 x 16.10 x 1.70 cms
Product Classification:
The arts: general issues
Ksh 8,650.00
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A landmark art historical study of German Notgeld, the emergency money produced during World War I, and the hyperinflation that followed.
Emergency Money is the first art historical study of Germanys emergency money, Notgeld. Issued during World War I and the tumultuous interwar period, these wildly artful banknotes featured landscapes, folk figures, scenes of violence and humor, and even inflation itself in the form of figures staring into empty purses or animals defecating coins. Until now, art historians have paid Notgeld scant attention, but Wilkinson looks closely at these amusing, often disturbing, artifacts and their grim associations to cast new light on the Weimar Republics visual culture, as well as the larger relationship between art and money.
As Wilkinson shows, Germanys early twentieth-century economic crisis was also a crisis of culture. Retelling the periods gripping story through thematic investigations into prevalent Notgeld motifs, Wilkinson illuminates how the vexed relationship between aesthetic value and exchange value was an inextricable part of everyday life.
A landmark contribution to our understanding of twentieth-century Germany, Emergency Money brings together art, economics, critical theory, and media theory to create a book for our own inflationary moment, as the worlds new materialisms confront the specter of this older, more fundamental materialism.
Emergency Money is the first art historical study of Germanys emergency money, Notgeld. Issued during World War I and the tumultuous interwar period, these wildly artful banknotes featured landscapes, folk figures, scenes of violence and humor, and even inflation itself in the form of figures staring into empty purses or animals defecating coins. Until now, art historians have paid Notgeld scant attention, but Wilkinson looks closely at these amusing, often disturbing, artifacts and their grim associations to cast new light on the Weimar Republics visual culture, as well as the larger relationship between art and money.
As Wilkinson shows, Germanys early twentieth-century economic crisis was also a crisis of culture. Retelling the periods gripping story through thematic investigations into prevalent Notgeld motifs, Wilkinson illuminates how the vexed relationship between aesthetic value and exchange value was an inextricable part of everyday life.
A landmark contribution to our understanding of twentieth-century Germany, Emergency Money brings together art, economics, critical theory, and media theory to create a book for our own inflationary moment, as the worlds new materialisms confront the specter of this older, more fundamental materialism.
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