EMIR KUSTURICA
Book Details
Format
Paperback / Softback
Book Series
Contemporary Film Directors
ISBN-10
0252080440
ISBN-13
9780252080449
Publisher
University of Illinois Press
Imprint
University of Illinois Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Dec 3rd, 2014
Print length
200 Pages
Weight
284 grams
Dimensions
14.10 x 21.00 x 1.50 cms
Ksh 3,050.00
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Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works.
Emir Kusturica is one of Eastern Europe''s most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester.
Leading scholar-critic Giorgio Bertellini divides Kusturica''s career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica''s Palme d''Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director''s early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism.
Eschewing the one-sided polemics Kusturica''s work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema.
Leading scholar-critic Giorgio Bertellini divides Kusturica''s career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica''s Palme d''Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director''s early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism.
Eschewing the one-sided polemics Kusturica''s work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema.
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