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Enda Walsh Plays: Two
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Enda Walsh Plays: Two

Book Details

Format Paperback / Softback
Book Series NHB Modern Plays
ISBN-10 1848424221
ISBN-13 9781848424227
Publisher Nick Hern Books
Imprint Nick Hern Books
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 11th, 2014
Print length 288 Pages
Weight 324 grams
Dimensions 19.70 x 13.10 x 2.30 cms
Ksh 3,800.00
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The second collection of plays from the multi-award-winning Irish playwright, including The Walworth Farce, The New Electric Ballroom, Penelope, Ballyturk and two short plays, with a Foreword by the author.
The second collection of plays from the multi-award-winning Irish playwright, Enda Walsh. This volume of remarkable plays charts the development of one of the most strikingly original playwrights in contemporary theatre. It collects together four full-length plays – three of which were produced by Galway’s Druid Theatre Company, three of which were performed at the Edinburgh Fringe, and two of which transferred to London’s National Theatre – along with two fascinating short plays and a Foreword by the author. The Walworth Farce (2006) is a madcap yet tender play about what can happen when we become stuck in the stories we tell about our lives. The New Electric Ballroom (2008) is a dark, glitter-dusted fable of the emotionally stultifying effects of small-town life. In a savage and riveting take on the classic Greek myth of Odysseus’s wife, Penelope (2010) sees four ridiculous men facing their inevitable deaths, and playing for an unwinnable love. Ballyturk (2014) saw Walsh reuniting with actor Cillian Murphy after Disco Pigs and Misterman for a jaw-droppingly physical play in which the lives of two men unravel over the course of ninety minutes. Also included in this volume are two short plays, My Friend Duplicity (2010), which went on to inspire Ballyturk, and Room 303 (2011). ‘One of the most fiercely individual voices in the theatre today’ New York Times‘Enda Walsh makes his own distinctive stage music in the fury of his writing talent and the irresistible surge of his blatant theatricality’ Independent

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