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Engagements with Adaptation
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Engagements with Adaptation

Book Details

Format Hardback or Cased Book
ISBN-10 1032572310
ISBN-13 9781032572314
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 24th, 2025
Print length 174 Pages
Weight 500 grams
Ksh 27,900.00
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This book invites students to consider adaptations on their own terms and to engage with the questions they raise about literary canons; the media industry; the relations between media; national, political, and cultural identities; and the ways in which contemporary media has complicated the roles of producers and consumers of texts.

Engagements with Adaptation invites students both to consider adaptations on their own terms and to engage with the urgent questions they raise about literary canons, the media industry, the relations among different kinds of media, the nature of national, political, and cultural identities, and the ways contemporary digital and social media have complicated the roles of producers and consumers of texts.

Thomas Leitch guides students through six ways of thinking about adaptation: aesthetic, intertextual, industrial, biological, sociological, and participatory He explores multiple media and discusses a wide range of sources, including Frankenstein, Persepolis, Bridgerton, and the world of DC and Marvel comics. Each of the six chapters includes a detailed discussion of Greta Gerwig’s film Barbie to help readers gain compare the ways these six approaches can engage with a single text. The book also offers invaluable insight into copyright, censorship, critical race theory, and immigration. The questions at the end of each section embed and reinforce learning and prompt further research.

This accessible and engaging guide shows how the ‘anti-discipline’ of adaptation studies is adjacent to a remarkable array of disciplines, making it a much-needed resource for students interested in television studies, moving image studies, digital media studies, translation studies, performance studies, music and art history and creation, border studies, race studies, queer studies, disability studies, and ecocritical studies.


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