Enlightenment in Ruins : The Geographies of Oliver Goldsmith

Crossing disciplinary boundaries between eighteenth-century studies and Irish studies, this book explores the geographies and politics of Oliver Goldsmith’s complex and productive negotiation of the London literary marketplace during the enlightenment.

Oliver Goldsmith (1728–1774) moved between the genres and geographies of enlightenment writing with considerable dexterity. As a consequence he has been characterized as a passive purveyor of enlightenment thought, a hack, a harried translator of the French enlightenment for an English audience, an ideological lackey, and a subtle ironist. In poetry, he is either a compliant pastoralist or an engaged social critic. Yet Goldsmith’s career is as complex and as contradictory as the enlightenment currents across which he wrote, and there is in Goldsmith’s oeuvre a set of themes—including his opposition to the new imperialism and to glibly declared principles of liberty—which this book addresses as a manifestation of his Irishness. Michael Griffin places Goldsmith in two contexts: one is the intellectual and political culture in which he worked as a professional author living in London; the other is that of his nationality and his as yet unstudied Jacobite politics. Enlightenment in Ruins thereby reveals a body of work that is compellingly marked by tensions and transits between Irishness and Englishness, between poetic and professional imperatives, and between cultural and scientific spheres.