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Ennio Morricone
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Ennio Morricone : In His Own Words

Book Details

Format Hardback or Cased Book
ISBN-10 0190681012
ISBN-13 9780190681012
Publisher Oxford University Press Inc
Imprint Oxford University Press Inc
Country of Manufacture US
Country of Publication GB
Publication Date Jul 11th, 2019
Print length 368 Pages
Weight 794 grams
Dimensions 23.80 x 16.40 x 2.70 cms
Ksh 6,500.00
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This book present a years-long discussion between composers Ennio Morricone and Alessandro De Rosa about life, music, and the unpredictable ways that the two influence each other.
Master composer Ennio Morricone''s scores go hand-in-hand with the idea of the Western film. Often considered the world''s greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone''s movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn''t only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."

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