Entangled Histories : Opera and Cultural Exchange between Vienna and the Italian States after Napoleon
Book Details
Format
Hardback or Cased Book
Book Series
New Cultural History of Music
ISBN-10
0197656560
ISBN-13
9780197656563
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 9th, 2025
Print length
360 Pages
Weight
658 grams
Dimensions
22.60 x 16.00 x 2.80 cms
Ksh 17,000.00
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Through a wealth of archival documents and printed materials, Entangled Histories shows how, over the first half of the nineteenth century, opera helped redefine questions of collective identity in the Austrian empire, serving as a testing ground for, among others, theories of language and education, notions of fatherland and citizenship, artistic expressions of cultural hybridity, new forms of managing economic and cultural capital, and practices of collective memory.
Through a wealth of archival documents and printed materials, Entangled Histories shows how, over the first half of the nineteenth century, opera helped redefine questions of collective identity in the Austrian empire, serving as a testing ground for, among others, theories of language and education, notions of fatherland and citizenship, artistic expressions of cultural hybridity, new forms of managing economic and cultural capital, and practices of collective memory. By emphasizing the entanglements between opera''s aesthetics, its social function, and the ideology underpinning its system of production in different institutional and urban contexts, this book places opera at the intersection of a broad set of political and cultural relationships that for several decades connected Vienna and prominent Italian operatic centers, contributing to a transnational historiography of the art form in the nineteenth century. It also argues that new modes of production and dissemination of opera between Vienna and the Italian states contributed to official cultural policies promoting a supranational identity of the Austrian empire-one that acknowledged, but ultimately transcended cultural differences. As the state emerged victoriously yet completely transformed from over two decades of wars against revolutionary and Napoleonic France, opera-with its long tradition of impresarios, composers, librettists, and performers on the move-became a key tool for bringing some of the different cultural traditions of the Austrian empire into a fruitful mutual dialogue.
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