Equal Natures : Popular Brain Science and Victorian Women's Writing
Book Details
Format
Hardback or Cased Book
ISBN-10
1438493150
ISBN-13
9781438493152
Publisher
State University of New York Press
Imprint
State University of New York Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 1st, 2023
Print length
272 Pages
Weight
490 grams
Product Classification:
Literature: history & criticismHistory of science
Ksh 13,000.00
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Explores how Victorian women writers used the popular science of phrenology to challenge socially constructed forms of power.
Winner of the 2024 Best Book Award presented by the South Atlantic Modern Language Association
In Equal Natures, Shalyn Claggett argues that Victorian women writers used scientific understandings of the brain to challenge socially constructed forms of power and gender inequality. Focusing on phrenologythe first science of brain localization and the most popular science in nineteenth-century BritainClaggett shows how these writers leveraged phrenology''s premise that the seat of identity is innate rather than acquired to make new claims about women''s intellectual abilities and psychological complexity. Whereas male scientists often used phrenology to support racist and colonialist agendas, in the hands of women, an appeal to biology became a tool of subversion. Through historically contextualized analyses of works by Charlotte and Anne Brontë, Harriet Martineau, Mary Elizabeth Braddon, and George Eliot, Equal Natures demonstrates how biology was used to contest conventional understandings of individual identity and interpersonal relations. In doing so, it counters a dominant assumption in feminist theory that essentialism has been the exclusive province of patriarchal values and reactionary political aims.
In Equal Natures, Shalyn Claggett argues that Victorian women writers used scientific understandings of the brain to challenge socially constructed forms of power and gender inequality. Focusing on phrenologythe first science of brain localization and the most popular science in nineteenth-century BritainClaggett shows how these writers leveraged phrenology''s premise that the seat of identity is innate rather than acquired to make new claims about women''s intellectual abilities and psychological complexity. Whereas male scientists often used phrenology to support racist and colonialist agendas, in the hands of women, an appeal to biology became a tool of subversion. Through historically contextualized analyses of works by Charlotte and Anne Brontë, Harriet Martineau, Mary Elizabeth Braddon, and George Eliot, Equal Natures demonstrates how biology was used to contest conventional understandings of individual identity and interpersonal relations. In doing so, it counters a dominant assumption in feminist theory that essentialism has been the exclusive province of patriarchal values and reactionary political aims.
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