Evidence of Things not Seen : Fantastical Blackness in Genre Fictions
Book Details
Format
Paperback / Softback
ISBN-10
1978818068
ISBN-13
9781978818064
Publisher
Rutgers University Press
Imprint
Rutgers University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Jul 15th, 2022
Print length
246 Pages
Weight
370 grams
Dimensions
15.50 x 23.50 x 1.80 cms
Product Classification:
Middle EastRelating to peoples: ethnic groups, indigenous peoples, cultures and other groupings of peopleRelating to African American / Black American peopleGothicRomanticismLiterature: history & criticismLiterature: history and criticismLiterary studies: generalLiterary studies: fiction, novelists & prose writersLiterary studies: fiction, novelists and prose writersCrime & mysteryCrime and / or mystery fictionScience fictionFantasyEthnic studies / EthnicityEthnic groups and multicultural studiesEthnic studiesEthnic minorities & multicultural studiesBlack & Asian studies
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Offers an interdisciplinary study of blackness in genre literature of the Americas. The ‘fantastical’ in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness.
Evidence of Things Not Seen: Fantastical Blackness in Genre Fictions is an interdisciplinary study of blackness in genre literature of the Americas. The "fantastical" in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness. As put to work in this project, fantastical blackness is an ethical praxis that centers black self-knowledge as a point of departure rather than as a reaction to threatening or diminishing dominant narratives. Mystery, romance, fantasy, mixed-genre, and science fictions'' unrestrained imaginings profoundly communicate this quality of blackness, specifically here through the work of Barbara Neely, Colson Whitehead, Nalo Hopkinson, and Colin Channer. When black writers center this expressive quality, they make fantastical blackness available to a broad audience that then uses its imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres'' imaginable possibilities offer strategies through which the made up can be made real.
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