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Excursions into Modernism
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Excursions into Modernism : Women Writers, Travel, and the Body

Book Details

Format Hardback or Cased Book
ISBN-10 1472444205
ISBN-13 9781472444202
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 7th, 2015
Print length 336 Pages
Weight 788 grams
Dimensions 24.10 x 16.20 x 2.90 cms
Ksh 30,600.00
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Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism investigates the imaginative potential of travel for women writers, reading women''s modernist fiction in tandem with women''s travel narratives. Drawing on a range of archival materials, she offers rich revisionary readings of canonical and lesser-known texts ranging from Jean Rhys''s Voyage in the Dark to Virginia Woolf''s The Voyage Out and from Evelyn Scott''s Escapade to Dorothy Richardson''s Pilgrimage.
Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought ''primitive'' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women’s traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys’s Voyage in the Dark to Virginia Woolf’s The Voyage Out and from Evelyn Scott’s Escapade to Dorothy Richardson’s Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley’s book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.

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