Exile and Otherness : New Approaches to the Experience of the Nazi Refugees
Book Details
Format
Paperback / Softback
Book Series
Exilstudien/Exile Studies
ISBN-10
3039105612
ISBN-13
9783039105618
Publisher
Verlag Peter Lang
Imprint
Verlag Peter Lang
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Nov 14th, 2005
Print length
310 Pages
Weight
432 grams
Dimensions
15.20 x 22.50 x 1.60 cms
Ksh 12,550.00
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In recent years Culture Studies, Anthropology, German Studies, History, Political Psychology, and other fields have used the concept of ‘exile’ in close connection with terms like migration, border crossing, identity, and transnationality. Views of a homogeneous culture and of centricity collide with ideas like multiculturalism, pluralism, creolization, and the globalization of differences. A transit-culture, inhabited by the flaneur and the nomad, is supposed to have replaced citizenship in a nation. At the same time, there can be no doubt that the experience of those writers, artists and intellectuals who were driven out of Germany and Europe by the Nazis was in many ways unique.
This book investigates the exile experience in a theoretical and comparative way by exploring the possibilities and limitations of concepts like diaspora, de-localization, and transit-culture for understanding the lives and works of German and Austrian refugees from Nazi persecution. It revisits the interaction of the exiles with the culture of their host countries in light of recent debates about migration and identity studies and it analyzes texts, paintings and other methods of artistic expression which connect the experience of the refugees of 1933 with postmodern notions of de-localization, hybridity, and marginalization.
This book investigates the exile experience in a theoretical and comparative way by exploring the possibilities and limitations of concepts like diaspora, de-localization, and transit-culture for understanding the lives and works of German and Austrian refugees from Nazi persecution. It revisits the interaction of the exiles with the culture of their host countries in light of recent debates about migration and identity studies and it analyzes texts, paintings and other methods of artistic expression which connect the experience of the refugees of 1933 with postmodern notions of de-localization, hybridity, and marginalization.
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