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Fictions of Proximity
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Fictions of Proximity : Skepticism, Romanticism, and the Wallace Nexus

Book Details

Format Hardback or Cased Book
ISBN-10 1666923184
ISBN-13 9781666923186
Publisher Bloomsbury Publishing Plc
Imprint Lexington Books/Fortress Academic
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 30th, 2023
Print length 298 Pages
Weight 606 grams
Dimensions 16.00 x 23.60 x 2.70 cms
Ksh 16,700.00
Manufactured on Demand 0 in stock

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Fictions of Proximity: Skepticism, Romanticism, and the Wallace Nexus tells the story of a nexus of contemporary novelists around David Foster Wallace who took up the legacy of logical positivism and reworked it between the 1980s and the 2000s in a way that has affinities with romanticism. The book shows how the writers of this ‘Wallace nexus’ use fiction’s complexities to challenge the idea that in human interactions, only complete fusion and transparency may count as instances of knowing. In place of this positivistic ideal of absorption, the book offers the freshly defined concept of ‘proximity,’ a closeness with separateness. It reads key novels of contemporary Anglo-American literature as ‘fictions of proximity,’ i.e., as texts that dramatize, problematize, and enact the movement into this position of proximity. To tell this story, the book draws on unpublished archival materials and understudied connections, advancing new interpretations of four novelists: David Foster Wallace, David Markson, Bret Easton Ellis, and Zadie Smith. Fictions of Proximity provides new readings of these writers, both of their canonical texts and of lesser-known works, and situates them with respect to prominent figures in contemporary post-positivist philosophy.

Fictions of Proximity: Skepticism, Romanticism, and the Wallace Nexus tells the story of a nexus of contemporary novelists around David Foster Wallace who took up the legacy of logical positivism and reworked it between the 1980s and the 2000s in a way that has affinities with romanticism. The book shows how the writers of this ‘Wallace nexus’ use fiction’s complexities to challenge the idea that in human interactions, only complete fusion and transparency may count as instances of knowing. In place of this positivistic ideal of absorption, the book offers the freshly defined concept of ‘proximity,’ a closeness with separateness. It reads key novels of contemporary Anglo-American literature as ‘fictions of proximity,’ i.e., as texts that dramatize, problematize, and enact the movement into this position of proximity. To tell this story, the book draws on unpublished archival materials and understudied connections, advancing new interpretations of four novelists: David Foster Wallace, David Markson, Bret Easton Ellis, and Zadie Smith. Fictions of Proximity provides new readings of these writers, both of their canonical texts and of lesser-known works, and situates them with respect to prominent figures in contemporary post-positivist philosophy.


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